http://www.mtv.com/videos/movie-trailers/395235/trailer-premiere-new-moon.jhtml
Saturday, June 6, 2009
Saturday, May 2, 2009
Rob interviews with the Guardian
Before Robert Pattinson auditioned for the part of Edward the vampire in Twilight, he took a quarter of a Valium to see where it would take him. He got the part. He had no idea what he'd signed up for: he might have been aware that Stephenie Meyer's Twilight saga had attracted 17m readers worldwide and that the Mormon mother from Arizona was the biggest publishing phenomenon since JK Rowling. What he didn't see coming were the teen girls who'd fallen in love with the sensitive, tortured Edward of Meyer's books. First they revolted online, calling Pattinson a gargoyle – and worse. Then they changed their minds, fell in love with him en masse and refused to leave him alone.
Pattinson, who turns 23 later this month, has become an international pin-up since Twilight was released last year. He's probably bigger news even than Daniel Radcliffe. After all, Harry Potter still seems like a little boy while Edward is a passionate, redblooded teen vampire in love with a mortal schoolgirl called Bella. Forget that gargoyle nonsense, too: Pattinson is an unlikely fusion of Johnny Depp and Doctor Whoelect Matt Smith. He favours the same vintage clothes as Depp and the actors share the same tough femininity; he's got the same architectural hair as Smith, the same asymmetrical features and strangely alluring face. Oh, and he's six-foot tall with the lean body of youth.
Pattinson, who turns 23 later this month, has become an international pin-up since Twilight was released last year. He's probably bigger news even than Daniel Radcliffe. After all, Harry Potter still seems like a little boy while Edward is a passionate, redblooded teen vampire in love with a mortal schoolgirl called Bella. Forget that gargoyle nonsense, too: Pattinson is an unlikely fusion of Johnny Depp and Doctor Whoelect Matt Smith. He favours the same vintage clothes as Depp and the actors share the same tough femininity; he's got the same architectural hair as Smith, the same asymmetrical features and strangely alluring face. Oh, and he's six-foot tall with the lean body of youth.
Yet Pattinson himself can take none of the attention seriously. Educated at a private day school in London, he has the kind of posh English accent Americans love, but he's not remotely pretentious or full of himself. His Twilight co-star Kristen Stewart, who plays Bella, once said that Pattinson can't lie; he also can't seem to stop talking. Right now he's describing the hotel room in Vancouver, where he's been filming New Moon, the second in the Twilight quartet. "I've been living in this windowless room on the 30-something floor. Because the people who built it were afraid of people killing themselves! It's one of those business hotels. I guess they're worried about not being able to charge so much for rooms if guests were killing themselves …"
Most actors live in apartments, or at least hotel suites, while on set. But not Pattinson: "I've settled there now. It would take about three weeks for me to gather all my belongings. I don't let the maids in. I don't even pull the duvet down now because I don't want to see what's underneath."
There are always fans waiting outside the hotel but he tries not to think about the phenomenal level of fame he's reached in north America; he says he'd go mad if he did. So he tries to disguise himself: "But instead I'm just getting more and more conspicuous; I'm wearing two hoods, a hat and sunglasses, which kind of stands out in the middle of the night. So I'm learning to sprint."
At times Pattinson sounds grown-up, but he also lapses into adolescent silliness. Ask if he has a fake hotel name and the giggling starts: "I was Clive Handjob in Paris. Everyone in the hotel called me 'Monsieur Handjob'. That was good, cheap fun."
When he got the role of Edward, Pattinson was sent to have his hair cut and dyed. He was given a personal trainer and, for the first time, got himself a six pack. He was also sent for media training to help him handle the juggernaut of publicity required for Twilight (in the US principal cast members have to participate in events such as "hype-building panels" to push the fi lm). He may now look more like a movie star but he still says things he shouldn't. In one interview, he volunteered the information about the Valium and then seemed to dismiss Little Ashes, an arthouse film he made before Twilight, as "nothing". He also pointed out, rather brashly, that "we didn't even have trailers".
Pattinson's experience of film-making is limited – at 17, he won the small part of Cedric Diggory in Harry Potter And The Goblet Of Fire, a role he reprised in the Order Of The Phoenix; he then lived off the pay cheque for a few years – but he's already got regrets. Little Ashes explores the homosexual relationship between surrealist artist Salvador Dalí and the romantic poet and dramatist Federico García Lorca in Spain in the early-1920s. It's a fascinating period – the surrealist film-maker Luis Buñuel was also hanging around – but art historians have already questioned the veracity of Philippa Goslett's script, saying that there's no proof Dalí and Lorca actually consummated their relationship.
Made for a modest £1.4m, Little Ashes suffers from its ambition, and Pattinson – with only Harry Potter under his belt – struggles to portray the hugely complex Dalí with any real conviction. Yet he briefly blows up when I mention his dismissal of the film as "nothing". "I hate having to do all this shit! I've already been told to apologise for saying it. I was just trying to say that it was a tiny, little film. It had a minuscule budget. I was just trying to say that if Twilight hadn't come along, I don't know how much Little Ashes would have been publicised. In an ideal world, everyone would go around watching arthouse films about Dalí and Lorca. But a lot of people have no idea who Lorca even was."
He collects himself: "People love all the negative stuff – 'He doesn't like the film!' 'He's a homophobe!' Oh great." Now that he's been told to make amends, Pattinson is actually taking Little Ashes more seriously. He even watched it the other night. And he never watches himself on screen, ever. "It's like self-flagellation, so why would I bother? And I didn't want to piss on anyone's grave. It was hard to watch my first scene, in which I turn up in this funny little hat … I was worried about watching them, but Dalí and Lorca's sex scenes were in fact the best scenes."
Twilight fans, being obsessive, will certainly be checking out a nearly-naked Pattinson in Little Ashes (be warned: this is pre-six pack, though his skin is vampishly livid). That's the problem with suddenly becoming very famous; the skeletons fly out of the closet at breakneck speed. And Dalí's fetching little hat in Little Ashes is nothing compared to the succession of dodgy old adverts that have reappeared recently. There are some particularly fetching ones on the net of Pattinson in pants or trunks, with bouffant hair and a cheesy smile. "Really? When I looked like a real … weirdo? I swear to god that's illegal! It's just so embarrassing. Actually, I saw one the other day."
Pattinson does seem to be overwhelmed with his lot right now. He hasn't asked Daniel Radcliffe for advice – "I haven't got his number!" – and is predictably prickly when asked about being defined by his role in Twilight. He spouts a lot of media training rubbish about making absolutely the best movie he can in the hope that people will see him as a good actor and not just as Edward. In the brief time I talk to him, it seems that he's in a place he never intended to be; after all, he was contemplating giving acting up before the Edward audition.
But perhaps he's happy with his life and it's just the interviews he hates. He says that when he's doing phone interviews in his hotel room, he sometimes wishes there was a window to jump out of. He's only joking, of course, but it seems that the actual process of acting has got lost in the fog of Hollywood publicity. Sometimes he has fun making things up in interviews. Such as? "I do really intellectually highbrow stuff in my downtime. I read first-edition Shakespeare. I write poetry. I'm trying to get my masters in neuroscience. That's the kind of guy I am." He pauses, clearly amusing himself: "Man, I don't even know what a masters is." And he laughs hysterically as he creates another shape with his hair.
• Little Ashes is out on Friday
Another Little Ashes review
Reviewed by Simi Horwitz
May 01, 2009
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| Javier Beltrán and Robert Pattinson in Little Ashes |
| Photo by Regent Releasing |
Set in 1922 Madrid during a period of artistic ferment and social-political unrest prior to the Spanish Civil War, Little Ashes is a haunting film recounting the fragile relationships among surrealist painter Salvador Dalí (Robert Pattinson), poet-playwright and revolutionary Federico García Lorca (Javier Beltrán), and filmmaker Luis Buñuel (Matthew McNulty), also identified with surrealist aesthetics and radical politics. Handled with a mercifully light touch, the movie explores homosexuality in a church-dominated culture, intense self-destructive jealousy, the cult of celebrity, and outrageousness for its own sake. It is in many ways a strikingly modern account and never dull for a moment. Philippa Goslet's screenplay is subtle, and Paul Morrison's direction is deft and his casting right on.
Pattinson is a standout as the sexually ambiguous and wildly quirky Dalí, given to flamboyant costumes, displays of self-importance, and rehearsed affectations. He is a study in narcissism who becomes his persona. Making his feature film debut, Beltrán does a nice job portraying a sensitive man deeply in love with the wrong person. He is wounded and vulnerable, yet not beyond acts of profound cruelty. McNulty has a smaller role but manages to convey in a few brief appearances Buñuel's repulsion at Dalí and García Lorca's homoerotic bond, while hinting at his own unacknowledged attraction for Dalí. Marina Gatell is also touching as a woman hopelessly in love with García Lorca.
In one of the more disturbing scenes, García Lorca is having sexual relations with Magdalena (Gatell) while Dalí watches. The range of emotions on all their faces—from anguish to humiliation to pleasure to a sense of conspiracy—is memorable. So is an erotic kiss between Dalí and García Lorca during a nighttime swim. Dalí's horror and García Lorca's yearning—tinged with Dalí's yearning and García Lorca's horror—make for layered drama.
The time and place are also vividly captured, from the growing military presence on the streets to the elegantly appointed homes of the upper crust to the bistros frequented by students and artists. Nice work by director of photography Adam Suschitzky and production designer Pere Francesch.
Genre: Drama. Director: Paul
Morrison. Writer: Philippa Goslett. Starring: Javier Beltrán, Robert
Pattinson, Matthew McNulty, Marina Gatell.
R: I love this review.
Source
Pattinson is a standout as the sexually ambiguous and wildly quirky Dalí, given to flamboyant costumes, displays of self-importance, and rehearsed affectations. He is a study in narcissism who becomes his persona. Making his feature film debut, Beltrán does a nice job portraying a sensitive man deeply in love with the wrong person. He is wounded and vulnerable, yet not beyond acts of profound cruelty. McNulty has a smaller role but manages to convey in a few brief appearances Buñuel's repulsion at Dalí and García Lorca's homoerotic bond, while hinting at his own unacknowledged attraction for Dalí. Marina Gatell is also touching as a woman hopelessly in love with García Lorca.
In one of the more disturbing scenes, García Lorca is having sexual relations with Magdalena (Gatell) while Dalí watches. The range of emotions on all their faces—from anguish to humiliation to pleasure to a sense of conspiracy—is memorable. So is an erotic kiss between Dalí and García Lorca during a nighttime swim. Dalí's horror and García Lorca's yearning—tinged with Dalí's yearning and García Lorca's horror—make for layered drama.
The time and place are also vividly captured, from the growing military presence on the streets to the elegantly appointed homes of the upper crust to the bistros frequented by students and artists. Nice work by director of photography Adam Suschitzky and production designer Pere Francesch.
Genre: Drama. Director: Paul
Morrison. Writer: Philippa Goslett. Starring: Javier Beltrán, Robert
Pattinson, Matthew McNulty, Marina Gatell.
R: I love this review.
Source
'Twilight' heartthrob portrays Salvador Dali
Robert Pattinson is in Vancouver gearing up for "The Twilight Saga: New Moon," the blood-sucking sequel to Catherine Hardwicke's wildly successful teen-vampire-romance movie, "Twilight." And like love the second time around, it's not the same.
"It's strange because it already feels much more of a slick machine," Pattinson says of the film, which is being directed by Chris Weitz. "The first one we had such a young cast. Everybody was friends. It was fun. There was nothing like what it is now. Now there are people waiting outside the hotels all the time. We have security. It's crazy."
And Pattinson hasn't even started yet. He's been in Vancouver for three weeks pacing up and down his hotel room while the shoot has been under way because "I like to get some kind of momentum going in my own process, so when I actually turn up on the set I should know vaguely what I'm talking about."
Pattinson, whose almost ethereal beauty has been a key part of "Twilight's" success, is nothing if not self-deprecating. He delivers his thoughts in a stuttering, half-finished manner distantly related to another British heartthrob, Hugh Grant. He also seems to share Grant's well-known discomfort with attention. In fact, the only respite from all the screaming women recently has been movie sets.
"I feel like most of the time for the past few months I'm pretty much working every time I get out of the house, working or not, so I might as well be working," he says. "I'm always in work mode. Just in case someone comes up to you, you've got to have your game face on."
Probably none of this will change with the release of his newest film, Paul Morrison's "Little Ashes" - if for no other reason than few of his fans will see it. Shot before "Twilight" made Pattinson a tousle-haired poster boy, the film, set primarily in the 1920s, is about the relationship between Spanish poet-playwright Frederico Garcia Lorca (Javier Beltran) and Surrealist gadfly Salvador Dali (Pattinson). What begins as a mutual admiration society of up-and-coming artists becomes much, much more. Speculation has it that Lorca and Dali were, or almost became, lovers. The film goes there, to a degree that made Pattinson very uncomfortable until he actually saw it.
"I guess I was expecting things to be more graphic," Pattinson says. "There's so much shame involved, and the thing I was really worried about was trying to show the madness of it."
In fact, the only aspect of the film that seems to trouble him now is the not-at-all convincing aging of Dali to 30 or so. Pattinson was 21 when he made the film, and he looks it. Ironically, he faces the opposite problem with the "Twilight" series. His character, Edward, never ages, so he has to look like an undead teenager through the three sequels he's contractually obligated to appear in.
"I think all of them will be done within a year and half," he says. "The whole thing is about change and aging. So it would look ridiculous if I'm playing 17 when I look 35."
Which is another way of saying that Pattinson is unconcerned about being locked into author Stephenie Meyer's franchise in the same way that the Harry Potter cast has been in theirs. It won't last that long.
Then it will be interesting to see in which direction Pattinson decides to go. No doubt his fans would prefer him to continue looking good, but he appears to have other ideas. He talks about one part he's considering in which he speaks a foreign language he doesn't know and another in which he plays "an incredibly abusive, terrifying character." He certainly seems to like playing characters who are tormented, or at least struggling with who they are.
"I try to choose things which are something that I'm going through in my life," he says. "Jobs that will help me realize or add something about myself. I don't really think about it in terms of a career." {sbox}
Little Ashes (R) opens Friday at Bay Area theaters.
Crazy clips from Little Ashes
Well.....
Oh my god. Yes, i was a lil bit peevish but it's just an acting, right?
Friday, May 1, 2009
Radar Online about Little Ashes
They have the same trailer but i dont know how to embed it so i take the trailer from youtube:)
Twilight fans won’t have to wait until New Moon hits theaters to see Robert Pattinson’s pretty face on the big screen again. On May 8th, Pattinson will star in Little Ashes, an independent film about the life of world-renowned Spanish artist Salvador Dali…and RadarOnline.com got a special sneak peek at the new movie! Watch the movie trailer above.
The role is a decidedly grown-up—and slightly racy—one for the actor best known as Edward Cullen. The movie, set in the 1920s and 1930s, follows the love affair between Dali and the poet Federico Garcia Lorca, who is played by a smoldering Javier Beltran. Of course, that means a handful of steamy makeout sessions between the two male actors. In their memorable first love scene, the two of them go for a midnight swim in their underwear, where they share a passionate kiss under the moon.
In Little Ashes, diehard fans of Pattinson will also get to see even more of the actor than they have before in the flick. As the flamboyant Dali, Pattinson strips down completely in one scene as he tries on different outfits in his dorm room, with nothing but a strategically-placed hand to save it from becoming too X-rated! In another scene, a young Dali gets so drunk at a local bar his friends have to carry him home.
Pattinson’s character has some major transformations throughout the movie, which require him to don a funny-looking brown bob with bangs as the youngest version of Dali. Soon, though, he cuts his hair, cleans up and starts wearing suits. When a friend tells him the girls will go crazy after his makeover, he quips: “I expect so.” Later in the film, Pattinson wears Dali’s signature, upturned pencil mustache and takes on the cartoon-ish personality the painter was known for in his later years as his forbidden relationship with Lorca fell apart.
While this might not the Pattinson most fans are used to, Little Ashes gives him a chance to show his range as Dali, who boomerangs between cocky confidence and insecurity. And not to worry—during the scenes set in the early 20s, Pattinson looks as dashing as ever in suits and slicked-back hair. Overall, Pattinson’s brooding good looks and intensity make the couple’s tortured love affair feel very real—just as they do in Twilight. Be prepared to shed a few tears in this flick!
Watch for the movie in theaters near you beginning on Friday, May 8.
From: RadarOnline.com
Five Reasons New Moon Might Be Good
1. A Freer Adaptation of the Book
Some of you were confused by the casting of the young fellow pictured here as one of the Volturi, who seem older in the book. But that's just the kind of decision-making that gives me hope. Fans are going to show up no matter what, so I don't think it's imperative that New Moon be as literal an adaptation as Twilight was. Some things will work better on the page than on the screen, and vice versa. For example, Edward is mostly MIA in this book, but I've heard whisperings (and seen evidence) that Robert Pattinson will be in plenty of the movie — thank goodness.
2. Two Words: Wolf Pack
And let me add a third word: hot. Dang, that's a fine-looking bunch of wolves. A movie with those abs and Pattinson's hair has to work hard to go too wrong.
3. Cool Special Effects
The special effects in the first movie were pretty laughable in parts, which could be distracting. Focusing on the story is a good thing, but when a huge part of the tale has to do with vampires flying through the air and now boys changing into wolves, you need a director that knows how to pull off the visual part. Director Chris Weitz (pictured here) gets story (About a Boy) and special effects (The Golden Compass). I feel good about him being at the helm.
4. It Might Be Scary
In a recent interview, Pattinson talked about playing Edward this time around, telling Entertainment Tonight, "I really want it to be disturbing." Apparently, there's even a demonic dream sequence involved. Moony, lovelorn stuff is all well and good, but Edward is a vampire and Bella is in danger by loving him. I'm crossing my fingers Pattinson didn't exaggerate. I'd like New Moon to be pretty scary.
5. Quality Casting
New Moon has attracted some honest-to-goodness thespians like Michael Sheen and talented youngsters like Dakota Fanning. I think that says a lot about the strength of the script and the faith folks have in the direction this installment of the franchise is going.
From BuzzSugar
From BuzzSugar
Robert Pattinson is Yahoo! Number 1 hunk!
1. ROBERT PATTINSON
As the movie's moody and glistening vampire, Pattinson hasn't budged from the top 100 searches on Yahoo! since "Twilight" migrated from book shelves to big screen. Even his fanged alter ego Edward Cullen's searches would have merited a No. 7 placement. We don't argue with bloodsuckers.. ROBERT PATTINSON
Source
As the movie's moody and glistening vampire, Pattinson hasn't budged from the top 100 searches on Yahoo! since "Twilight" migrated from book shelves to big screen. Even his fanged alter ego Edward Cullen's searches would have merited a No. 7 placement. We don't argue with bloodsuckers.. ROBERT PATTINSON
'Little Ashes' director on 'Twilight' hunk Robert Pattinson's gay sex scenes
Paul Morrison, the director of "Little Ashes," a film about the strange, complex and forbidden love between Spanish poet Federico Garcia Lorca and surrealist painter Salvador Dali, talks about casting "Twilight" hero Robert Pattinson in the period piece.
Paul Morrison: I love the fact that an audience is going to be drawn to the film, partly through Rob, that wouldn't otherwise get to this kind of movie. We played the Belfast Film Festival last week and there were quite a few of Rob's fans there, not the majority by any means, and they loved it and they really took to it, so it's great that kids will be reached by the movie.
Dish Rag: Playing Salvador Dali is a daunting role for a young actor.
PM: Yeah, I don't think Rob realized what he was getting into when he agreed to do it, but he really worked hard at it, he really grappled with it, and I think he's done something very extraordinary. It's so difficult to do, because you have to tread light all the time between playing Dali as a young lovable young man, which he was, and suggesting the kind of pastiche of himself that he became in later life, that he presented to the public in later life, and that's a very tall order, and I think Rob pulled it off.
DR: The resemblance is actually quite amazing.
PM: The intensity was important, but I wasn't really looking for resemblance. And in the performance, I wasn't looking for mimicry either.
DR: How did you find Robert Pattinson?
PM: There are a lot of great young actors coming up in Britain, a couple years ago when I cast him, and I guess I saw all of them, all the ones that were available for me to see, and in Spain as well. We had to have a mix, because of, for reasons of the financial co-production, we had to have a mix of Spanish and UK actors. And originally, I was looking at Rob for Lorca, and thought we’d find our Dali in Spain, but he was so right for Dali that I switched it and we cast Dali in England and Lorca in Spain.
DR: So you had no notion of all this "Twilight" stuff, and you just watched all this happen as your film gets ready to be released.
DR: It's wonderful to see a young actor like this, who despite the fame and the adulation is choosing a path and taking some extremely challenging and provocative roles. Do you think he will continue on that path?
PM: He is serious about acting and I am sure that, yeah, he will want to do roles that challenge him. I can't tell you how hard he worked on the role of Dali. I was encouraging him to just play the script, but he was for himself hunting down every day bits of film or tape or interviews or a biography of Dali. He worked really hard at it, both intellectually and emotionally. I think that's in his blood now, I think. I don't think he'll be satisfied with playing less than interesting roles.
DR: Well, he'll certainly want to do more than climb up pine trees and fly around.
PM: Yeah, I'm sure he's not complaining about that.
DR: Those gay sex scenes and the nude scenes, were those difficult for young actors Rob and Javier Beltran?
PM: I think they were difficult, but I think all sex scenes are difficult, and for all actors of all ages. And I find them difficult, certainly, to direct, and ... you have to get very intense about them, and as a director be clear as to what you're looking for so they know that they're acting and they're not doing it, and I think Rob probably found it harder than Javier, to draw the line between performance and, ah, but that was also in the nature of the part, that Dali's sexuality was so complicated, complex and mysterious, I think even to himself, and his fear of sexuality, and if you're playing that role, that kind of rubs off on you, so I think sex and pain were so closely entwined with Dali that to play those scenes is also hard, and the triangle sex scene is an unbelievably difficult scene. One of those scenes in everybody's life when you're doing something and you know it's really really wrong, it really, it goes against the grain, but you're doing it, so playing that scene is hard, it's always hard.
We also asked why Rob Pattinson and Javier Beltran appear in a blue-lighted, erotically charged water scene, once with underwear on and later, in Dali's recollection, without clothing.
PM: Yeah, what happens is that Dali recalls that scene later on, after Lorca's death, and in his memory they're not wearing underwear. So there is a nude scene, tastefully shot, of course."
Darn it — we mean, of course.
After Vancouver, Here's Where To Find The 'Twilight' Cast
New York City. Robert Pattinson, who plays the 104-year-old virgin Edward Cullen, will be shooting the romance "Remember Me" directed by Allen Coulter ("Hollywoodland") and cowritten by "Rachel Getting Married"'s Jenny Lumet. What to tell your folks: You just really want to get into art, and where better to experience the art world than the galleries of Chelsea? Alone?
Chicago and the 'burbs. Kellan Lutz (Emmett) will be shooting the new "Nightmare on Elm Street" in the sleepy suburb of Barrington, Illinois -- and they could need some extra scared teenagers! What to tell your folks: You've landed a sweet part-time job at the Taste of Chicago. Even if they think you're faking it, how will they ever find you at the city's biggest food fair?
Vietnam. Jackson Rathbone (Jasper) will be shooting "The Last Airbender" for M. Night Shyamalan, in which he plays a stubborn teenage warrior opposite "Slumdog Millionaire"'s Dev Patel. What to tell your folks: Ooh. This is a hard sell! But there's always the ol' volunteering-to-boost-your-college-application excuse. Just make sure you actually volunteer somewhere so you have something else to talk about.
Los Angeles. Kristen "Bella Swan" Stewart will be in town in a few short weeks working on "The Runaways," a biopic of Joan Jett costarring Dakota Fanning who is also part of the Volturi. What to tell your folks: All that studying has given you a severe Vitamin D deficiency and you need to convalesce in the sunshine -- particularly the strong stuff shining off movie backlots.
Des Moines, IA. Harboring a secret crush on Billy Burke's Charlie Swan? Find him in the cornfields to shoot the domestic drama "Ticket Out" with Ray Liotta. What to tell your folks: C'mon, it's Iowa, what could possibly go wrong?
From: Jaunted
Twilight Pattinson flogs indie How To Be
While Brit first-timer Oliver Irving's micro-indie How to Be may not be high art, because it stars Twilight star Rob Pattinson, it has a target audience. The flick about a sadsack guitar player who moves back in with his parents after his girlfriend dumps him had been seeking a distrib since its Slamdance debut in January, 2008. I asked Pattinson about How to Be in a Twilight interview back in November (Flip Cam video below), which was seen by IFC Films buyer Arianna Boccho, who tracked down How to Be and bought it one week later for IFC Festival Direct.
Post-Twilight, IFC took the film to fests and one-off screenings in Chicago, Boston, and LA, which were jammed by Pattinson fans, who also lined up around the block in NYC last weekend for two sold-out screenings at the IFC Center.
Pattinson has happily flogged the movie, taking time out of his New Moon shooting schedule to do reads for the various cable systems promoting the film. And he's giving away the clothes that he wore during the How to Be shoot for a contest on Seventeen.com. IFC publicized Pattinson to drive viewers to view the movie on-demand (starting April 29) via Entertainment Tonight, AOL, Life & Style and MTV.com, which has long catered to the Pattinson fan base.
While there are no reviews on Rotten Tomatoes or Metacritic, the IMDb user ratings are strong, and the movie boasts over 14,000 Facebook fans. And the filmmakers have been sending out daily newsletters to keep their fans up-to-date on the latest How to Be developments.
Here's a strange behind-the-scenes video of Pattinson's visit to the Austin Film Fest with How to Be, and the official How to Be website. More How to Be photos and a trailer on the jump.
From: Variety
How To Be: Chockin on the dust
Weird but love it, because of Robert peaceful smile, lol. And i love this song.
Robert Pattinson interview with Moviefone
1. How was filming 'Little Ashes,' which is such a small production, compared to doing the 'Twilight' movies?
I kind of like small productions 'cause there's not so much waiting around. And it's strange, there are little things on 'Little Ashes,' like we didn't have stand-ins, so we'd just kind of sit or stand around the set, which I initially found kind of bizarre but after a while it's great, because you can just kind of stay in character the whole time. And also you can be much more a part of the set up of the shot, so I kind of liked that. I don't know, it was, I would say, a very different energy. [But] there's not a huge amount of difference, really. You're just inside your head anyway most of the time, so you don't really notice stuff.
2. I read that you were really nervous about filming the nude scenes and the explicit scenes, how did you prepare yourself for those?
[Laughs] I had so many ridiculous answers just come into my head [more laughs]. I had a penis implant! I don't know, I just kind of, it's funny because Spanish people are so ... have no problem with nudity at all, I mean at all, and English people obviously do have, like, the most enormous problem with it. It's like little things, like when I saw my father getting changed for swimming I got, like, traumatized by it ... I don't really know what I did, I just kind of freaked out a bit. [Laughs]
3. So was that the most difficult thing about filming this movie?
No, I mean, a lot of it was quite hard. I guess in a lot of ways, the more I read about Dali the more I kind of liked him, and liked what he tried to make himself stand for. I guess the hardest thing was that I didn't want to disrespect his memory, especially when I met a lot of people who he knew and stuff. People were very, very fond of him, so that was probably the hardest thing. [Laughs] I didn't want to mess it up!
4. You were playing a real person -- how did that affect your preparation? Did you study up a lot on Dali?
Yeah, I mean it's nice. There are certain things like studying photos. I never really concentrated on my body in a performance before, well not to such an extent, and there were tons and tons of photos of him and he had quite strange posturing ... There was one photo where he's pointing at something, and I guess it's quite nice, and I was trying to figure out "How do you point like that?" Then you realize "Oh, shit. You get your arm and ohhh..." and suddenly it clicks into place. And then when you realize you're walking right and stuff, and people -- Spanish people! -- know who you're playing, without the moustache, they know immediately just by looking in your eyes, it's very satisfying. I like the idea of that; I'd quite like to do it again. And I'm always quite attracted to playing real people.
5. Kristen Stewart is going to be playing rock icon Joan Jett. Is there a rock icon that you'd like to play?
I'd love to play Van Morrison, but I doubt I would get the part [laughs].
6. Who would you love to tour with, if you were going to do a tour as a musician?
Rob: I'd quite like to tour with Kings of Leon. I think they're pretty cool. RC: I love them!
7. If you couldn't be an actor or a musician, what do you think you would be doing?
I'd quite like to be a political strategist and like a spin doctor. [Laughs] I'd really, really like to do that. I think I will end up doing that at one point.
8. Can you talk about the movie you're signing on, or about to sign on, called 'Memoirs'?
It's not final yet, but I think if it does happen it'll be a fantastic movie. It's an amazing script. I think Jenny Lumet [who's writing the script] is incredible and Allen Coulter [who's directing] is also. I think it could be. I was quite excited about it. I was working in New York on the script a few weeks ago, and we came up with some really cool stuff.
9. How are you handling the massive, instant fame and the craziness?
It's quite stressful in a way, but it's only when you're by yourself. When I have my friends around it doesn't make any difference. I just spend a lot of time by myself, and I used to walk around the block by myself in various different cities, and I don't know, you start to feel a bit vulnerable, I guess. [Laughs] Well, not vulnerable, I don't know ... for paranoid people it does allow your imagination to run rampant, so it's a little strange. You end up going out a lot less [laughs]. But I guess it's so early now I'm really still thinking about it in terms of getting good jobs and stuff, so I haven't really had a chance to be objective about my life, because every single day there's something new happening in my life. In my eyes, everything just seems ridiculous, like every single day it's like you're walking on the street, and then suddenly you step on something and it just starts moving really, really fast, and you're not entirely sure what direction it's going in, but you can feel the force of it. That's about it.
10. What has been your craziest fan experience?
There was one quite weird thing, I was in a Blockbuster the other day, and I hadn't realized it was the day the ['Twilight'] DVD was coming out, and there were these two -- no one recognized me in that place -- and there were these two 8-year-old girls who turned up with their parents. They were picking up their preordered DVDs, and they were just shaking and crying just because they got their DVD. I thought that was pretty incredible, I hadn't seen anything like that before ... I mean, I have when it's in person, when it's meeting me. But just to pick up a DVD, that was kind of crazy.
11. What was your take on the whole Jacob casting drama? When it was possible that Taylor Lautner wasn't going to get the part.
It was weird. When I came back, I hadn't seen him in ages, hadn't seen him since the summer and when I saw him, I saw him just before he got casted, and he put on like 100 pounds! I was like "Jesus Christ! If he doesn't get it, it's ridiculous." But what are you going to do? There was a video of him on set the other day doing all these kind of fight stunts. That kid is incredible; he is one of the most stunning athletes I've ever seen in my life. I don't know, I think it'll be interesting. I haven't seen any of his stuff yet, but everyone's going a little bit crazy over him.
12. How's the energy on 'New Moon' compared to 'Twilight,' because for 'Twilight' no one was sure if it was going to do well and now, obviously ...
Yeah, it's scary. It's a very, very different experience. Last time we were just kind of ... it was so easy to get the entire cast together. We'd all have dinner almost every day and be able to talk about it freely and stuff. Now it's quite difficult to even leave the hotel. And all these random little stories become someway, somehow newsworthy, so you have to be very secretive about everything. Even if you want to just clarify something in the script or something. It's just strange. It's just very different ... It's very strange when you're aware of being observed, I guess.
13. Is that similar to how it was when you were filming 'Potter'?
Oh, no, not at all. The thing about 'Potter,' because everyone was so young, there weren't really any [gossip] stories. Plus, the way we were shooting it was so impossible to get any pictures or anything. It was so, so private. And by the time I was working on it, everyone working there had worked there for about five or six years anyway, so they all knew each other. So nothing was really newsworthy. There wasn't a lot happening. It seems that on [the 'Twilight' movies], maybe because they're a little bit older, it seems like every single day there's a new story coming out. I also think that's it's because all of these sort of blog sites have become way more popular in the last few years than they were then. And I guess that's where most of the gossipy things go to.
14. Would you do full-frontal nudity like Daniel Radcliffe did?
I think it would depend on what it is. Yeah, it really does depend on what it is. And I don't think a lot of people would really want to see that. I think it would ruin the illusion. [Laughs]
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I kind of like small productions 'cause there's not so much waiting around. And it's strange, there are little things on 'Little Ashes,' like we didn't have stand-ins, so we'd just kind of sit or stand around the set, which I initially found kind of bizarre but after a while it's great, because you can just kind of stay in character the whole time. And also you can be much more a part of the set up of the shot, so I kind of liked that. I don't know, it was, I would say, a very different energy. [But] there's not a huge amount of difference, really. You're just inside your head anyway most of the time, so you don't really notice stuff.
2. I read that you were really nervous about filming the nude scenes and the explicit scenes, how did you prepare yourself for those?
[Laughs] I had so many ridiculous answers just come into my head [more laughs]. I had a penis implant! I don't know, I just kind of, it's funny because Spanish people are so ... have no problem with nudity at all, I mean at all, and English people obviously do have, like, the most enormous problem with it. It's like little things, like when I saw my father getting changed for swimming I got, like, traumatized by it ... I don't really know what I did, I just kind of freaked out a bit. [Laughs]
3. So was that the most difficult thing about filming this movie?
No, I mean, a lot of it was quite hard. I guess in a lot of ways, the more I read about Dali the more I kind of liked him, and liked what he tried to make himself stand for. I guess the hardest thing was that I didn't want to disrespect his memory, especially when I met a lot of people who he knew and stuff. People were very, very fond of him, so that was probably the hardest thing. [Laughs] I didn't want to mess it up!
4. You were playing a real person -- how did that affect your preparation? Did you study up a lot on Dali?
Yeah, I mean it's nice. There are certain things like studying photos. I never really concentrated on my body in a performance before, well not to such an extent, and there were tons and tons of photos of him and he had quite strange posturing ... There was one photo where he's pointing at something, and I guess it's quite nice, and I was trying to figure out "How do you point like that?" Then you realize "Oh, shit. You get your arm and ohhh..." and suddenly it clicks into place. And then when you realize you're walking right and stuff, and people -- Spanish people! -- know who you're playing, without the moustache, they know immediately just by looking in your eyes, it's very satisfying. I like the idea of that; I'd quite like to do it again. And I'm always quite attracted to playing real people.
5. Kristen Stewart is going to be playing rock icon Joan Jett. Is there a rock icon that you'd like to play?
I'd love to play Van Morrison, but I doubt I would get the part [laughs].
6. Who would you love to tour with, if you were going to do a tour as a musician?
Rob: I'd quite like to tour with Kings of Leon. I think they're pretty cool. RC: I love them!
7. If you couldn't be an actor or a musician, what do you think you would be doing?
I'd quite like to be a political strategist and like a spin doctor. [Laughs] I'd really, really like to do that. I think I will end up doing that at one point.
8. Can you talk about the movie you're signing on, or about to sign on, called 'Memoirs'?
It's not final yet, but I think if it does happen it'll be a fantastic movie. It's an amazing script. I think Jenny Lumet [who's writing the script] is incredible and Allen Coulter [who's directing] is also. I think it could be. I was quite excited about it. I was working in New York on the script a few weeks ago, and we came up with some really cool stuff.
9. How are you handling the massive, instant fame and the craziness?
It's quite stressful in a way, but it's only when you're by yourself. When I have my friends around it doesn't make any difference. I just spend a lot of time by myself, and I used to walk around the block by myself in various different cities, and I don't know, you start to feel a bit vulnerable, I guess. [Laughs] Well, not vulnerable, I don't know ... for paranoid people it does allow your imagination to run rampant, so it's a little strange. You end up going out a lot less [laughs]. But I guess it's so early now I'm really still thinking about it in terms of getting good jobs and stuff, so I haven't really had a chance to be objective about my life, because every single day there's something new happening in my life. In my eyes, everything just seems ridiculous, like every single day it's like you're walking on the street, and then suddenly you step on something and it just starts moving really, really fast, and you're not entirely sure what direction it's going in, but you can feel the force of it. That's about it.
10. What has been your craziest fan experience?
There was one quite weird thing, I was in a Blockbuster the other day, and I hadn't realized it was the day the ['Twilight'] DVD was coming out, and there were these two -- no one recognized me in that place -- and there were these two 8-year-old girls who turned up with their parents. They were picking up their preordered DVDs, and they were just shaking and crying just because they got their DVD. I thought that was pretty incredible, I hadn't seen anything like that before ... I mean, I have when it's in person, when it's meeting me. But just to pick up a DVD, that was kind of crazy.
11. What was your take on the whole Jacob casting drama? When it was possible that Taylor Lautner wasn't going to get the part.
It was weird. When I came back, I hadn't seen him in ages, hadn't seen him since the summer and when I saw him, I saw him just before he got casted, and he put on like 100 pounds! I was like "Jesus Christ! If he doesn't get it, it's ridiculous." But what are you going to do? There was a video of him on set the other day doing all these kind of fight stunts. That kid is incredible; he is one of the most stunning athletes I've ever seen in my life. I don't know, I think it'll be interesting. I haven't seen any of his stuff yet, but everyone's going a little bit crazy over him.
12. How's the energy on 'New Moon' compared to 'Twilight,' because for 'Twilight' no one was sure if it was going to do well and now, obviously ...
Yeah, it's scary. It's a very, very different experience. Last time we were just kind of ... it was so easy to get the entire cast together. We'd all have dinner almost every day and be able to talk about it freely and stuff. Now it's quite difficult to even leave the hotel. And all these random little stories become someway, somehow newsworthy, so you have to be very secretive about everything. Even if you want to just clarify something in the script or something. It's just strange. It's just very different ... It's very strange when you're aware of being observed, I guess.
13. Is that similar to how it was when you were filming 'Potter'?
Oh, no, not at all. The thing about 'Potter,' because everyone was so young, there weren't really any [gossip] stories. Plus, the way we were shooting it was so impossible to get any pictures or anything. It was so, so private. And by the time I was working on it, everyone working there had worked there for about five or six years anyway, so they all knew each other. So nothing was really newsworthy. There wasn't a lot happening. It seems that on [the 'Twilight' movies], maybe because they're a little bit older, it seems like every single day there's a new story coming out. I also think that's it's because all of these sort of blog sites have become way more popular in the last few years than they were then. And I guess that's where most of the gossipy things go to.
14. Would you do full-frontal nudity like Daniel Radcliffe did?
I think it would depend on what it is. Yeah, it really does depend on what it is. And I don't think a lot of people would really want to see that. I think it would ruin the illusion. [Laughs]
Click here for the rest article
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